1983 - Flim & The BB's - Tricycle, (CD-443) is the first jazz compact available to consumers. The dynamic music together with a live-to-2 track digital recording made Tricycle a global demonstration disc that would win CD of the Year honors in CD Review Magazine

1987 - DMP utilizes high-end recording technology from Cello on two breakthrough recordings by Warren Bernhardt (Hands On, CD-457) and Flim & The BB's (Neon, CD-458)

 

1989 - DMP Mascot is photographed for A Taste Of DMP, (CD-466) cover and would soon become a cult figure.

 

 

 

1991 - DMP is first to utilize 20-bit recording and conversion technology on Chuck Loeb's recording Balance, (CD-484).

 

1995 - DMP implements a compatible surround sound technology in its DMP Big Band Tribute series, Carved In Stone (CD-512), The Glenn Miller Project (CD-519), and Salutes Duke Ellington (CD-520). "A smoldering ensemble of New York's top musicians has given these swing time staples perhaps their finest reading ever."

- Audio Magazine.

1996 - Big Band Trane (CD-515) is the 10th consecutive recording by The Bob MIntzer Big Band for DMP

1997 - Alto (CD-521) by Joe Beck & Ali Ryerson is the first commercial recording captured with Sony's Direct Stream Digital recording technology which samples music at an astonishing 2.8224 MHz (64 x the 44.1 kHz compact disc).

 

1998 - Just Jobim (CD-524) by Manfredo Fest is the first project captured with the new Meitner DSD conversion technology

1999 - DMP releases first seven SACD's and TJ is back to having fun again.

2000 - DMP releases world' s first multichannel SACD

2001 - DMP releases seven new multichannel SACD's